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付け鋼技報による博多鋏の製作工程とその特徴についての考察
https://doi.org/10.15099/00004720
https://doi.org/10.15099/0000472035682c70-29d1-4dd8-8e8e-e38a03f50f5d
名前 / ファイル | ライセンス | アクション |
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geibunkiyo-03-p064-081.pdf (1.6 MB)
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Item type | 紀要論文 / Departmental Bulletin Paper(1) | |||||
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公開日 | 2010-07-08 | |||||
タイトル | ||||||
タイトル | 付け鋼技報による博多鋏の製作工程とその特徴についての考察 | |||||
言語 | ||||||
言語 | jpn | |||||
キーワード | ||||||
主題Scheme | Other | |||||
主題 | Hakata Scissors | |||||
キーワード | ||||||
主題Scheme | Other | |||||
主題 | traditional smithing technique | |||||
キーワード | ||||||
主題Scheme | Other | |||||
主題 | oral instruction | |||||
キーワード | ||||||
主題Scheme | Other | |||||
主題 | carving process | |||||
キーワード | ||||||
主題Scheme | Other | |||||
主題 | friction scar | |||||
キーワード | ||||||
主題Scheme | Other | |||||
主題 | rotation of scissor blade | |||||
資源タイプ | ||||||
資源タイプ識別子 | http://purl.org/coar/resource_type/c_6501 | |||||
資源タイプ | departmental bulletin paper | |||||
ID登録 | ||||||
ID登録 | 10.15099/00004720 | |||||
ID登録タイプ | JaLC | |||||
著者 |
中村, 滝雄
× 中村, 滝雄× 横田, 勝× ペルトネン, 純子× 長柄, 毅一 |
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著者別名 | ||||||
姓名 | Nakamura, Takio | |||||
著者別名 | ||||||
姓名 | Yokota, Masaru | |||||
著者別名 | ||||||
姓名 | Peltonen, Junko | |||||
著者別名 | ||||||
姓名 | Nagae, Takekazu | |||||
その他(別言語等)のタイトル | ||||||
その他のタイトル | Study on the process of Hakata Scissors production using Tsuke-hagane technique | |||||
抄録 | ||||||
内容記述タイプ | Abstract | |||||
内容記述 | Hakata Scissors have a tradition of about seven hundred years. The scissors are entirely handmade with the traditional smithing technique called Tsuke-hagane. Seiichi Takayanagi is the only one Hakata scissorsmith left, and has no successor. If Takayanagi retires from making scissors, the history of Hakata Scissors will end and so does the history of the scissorsmith technique. In this paper, we investigated the process of the Hakata scissor production and recorded the findings. We also studied the distinctive structure of Hakata scissors for connecting a pair of scissor segments at rotation center, which is the result of Takayanagi ユs constant effort to understand the meaning of the oral instructions he had inherited. | |||||
抄録 | ||||||
内容記述タイプ | Abstract | |||||
内容記述 | 博多鋏は約七百年の歴史を持ち、伝統的鍛冶技法である付け鋼で製作される全て手造りの鋏である。現在、製作者は高柳晴一氏ただ一人であり、後継者不在のため氏が製作をやめれば博多鋏とその製作技術が途絶えることになる。本稿はその伝統的鍛冶技法による製作工程の調査を行うと同時に、それらを記録保存した。また、口伝(くでん)の意味を追求した製作者の作業動作から、相互のパーツにおける擦り合わせの構造に博多鋏の特徴を考察した。 | |||||
引用 | ||||||
内容記述タイプ | Other | |||||
内容記述 | GEIBUN : 富山大学芸術文化学部紀要,vol.3,Page 64-81 | |||||
書誌情報 |
GEIBUN : 富山大学芸術文化学部紀要 巻 3, p. 64-81, 発行日 2009-02 |
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ISSN | ||||||
収録物識別子タイプ | ISSN | |||||
収録物識別子 | 18816649 | |||||
書誌レコードID | ||||||
収録物識別子タイプ | NCID | |||||
収録物識別子 | AA12190259 | |||||
フォーマット | ||||||
内容記述タイプ | Other | |||||
内容記述 | application/pdf | |||||
著者版フラグ | ||||||
出版タイプ | VoR | |||||
出版タイプResource | http://purl.org/coar/version/c_970fb48d4fbd8a85 | |||||
出版者 | ||||||
出版者 | 富山大学芸術文化学部 | |||||
資源タイプ(DSpace) | ||||||
内容記述タイプ | Other | |||||
内容記述 | Article |