{"created":"2023-07-25T09:06:31.394741+00:00","id":4753,"links":{},"metadata":{"_buckets":{"deposit":"9b210385-3a10-4f60-9629-1105d975a85b"},"_deposit":{"created_by":3,"id":"4753","owners":[3],"pid":{"revision_id":0,"type":"depid","value":"4753"},"status":"published"},"_oai":{"id":"oai:toyama.repo.nii.ac.jp:00004753","sets":["619:622:623:627"]},"author_link":["16605"],"item_3_alternative_title_19":{"attribute_name":"その他（別言語等）のタイトル","attribute_value_mlt":[{"subitem_alternative_title":"Music hall, modernism and cinema: myth and popular culture in T. S. Eliot and Samuel Beckett"}]},"item_3_biblio_info_7":{"attribute_name":"書誌情報","attribute_value_mlt":[{"bibliographicIssueDates":{"bibliographicIssueDate":"2010-02","bibliographicIssueDateType":"Issued"},"bibliographicPageEnd":"144","bibliographicPageStart":"130","bibliographicVolumeNumber":"4","bibliographic_titles":[{"bibliographic_title":"GEIBUN : 富山大学芸術文化学部紀要"}]}]},"item_3_description_15":{"attribute_name":"フォーマット","attribute_value_mlt":[{"subitem_description":"application/pdf","subitem_description_type":"Other"}]},"item_3_description_4":{"attribute_name":"抄録","attribute_value_mlt":[{"subitem_description":"T・S・エリオットとサミュエル・ベケットは、頽廃した近代社会の不毛な状況を背景に自律した作品世界を創造し、そのことによって、「神話」を構築したことで知られている。大衆による安易な解釈を寄せ付けない自律的な作品はモダニズム文学の特徴だが、その一方で両者の作品には、モダニズムの持つ高級文化的な装いに加えて、ポピュラー文化の要素も見られる。本稿では、そうしたふたつの相異なる要素をエリオットとベケットがどのように結び付けていたのかについて、特にミュージック・ホールと映画に対する両者のアプローチの仕方を辿りながら分析する。","subitem_description_type":"Abstract"}]},"item_3_description_40":{"attribute_name":"資源タイプ(DSpace)","attribute_value_mlt":[{"subitem_description":"Article","subitem_description_type":"Other"}]},"item_3_description_6":{"attribute_name":"引用","attribute_value_mlt":[{"subitem_description":"GEIBUN : 富山大学芸術文化学部紀要，vol.4，Page 130-144","subitem_description_type":"Other"}]},"item_3_full_name_3":{"attribute_name":"著者別名","attribute_value_mlt":[{"nameIdentifiers":[{"nameIdentifier":"16605","nameIdentifierScheme":"WEKO"},{"nameIdentifier":"9000006047166","nameIdentifierScheme":"CiNii ID","nameIdentifierURI":"http://ci.nii.ac.jp/nrid/9000006047166"}],"names":[{"name":"Fukaya, Kiminori"}]}]},"item_3_identifier_registration":{"attribute_name":"ID登録","attribute_value_mlt":[{"subitem_identifier_reg_text":"10.15099/00004747","subitem_identifier_reg_type":"JaLC"}]},"item_3_publisher_33":{"attribute_name":"出版者","attribute_value_mlt":[{"subitem_publisher":"富山大学芸術文化学部"}]},"item_3_source_id_10":{"attribute_name":"書誌レコードID","attribute_value_mlt":[{"subitem_source_identifier":"AA12190259","subitem_source_identifier_type":"NCID"}]},"item_3_source_id_8":{"attribute_name":"ISSN","attribute_value_mlt":[{"subitem_source_identifier":"18816649","subitem_source_identifier_type":"ISSN"}]},"item_3_version_type_16":{"attribute_name":"著者版フラグ","attribute_value_mlt":[{"subitem_version_resource":"http://purl.org/coar/version/c_970fb48d4fbd8a85","subitem_version_type":"VoR"}]},"item_creator":{"attribute_name":"著者","attribute_type":"creator","attribute_value_mlt":[{"creatorNames":[{"creatorName":"深谷, 公宣"}],"nameIdentifiers":[{},{}]}]},"item_files":{"attribute_name":"ファイル情報","attribute_type":"file","attribute_value_mlt":[{"accessrole":"open_date","date":[{"dateType":"Available","dateValue":"2016-02-17"}],"displaytype":"detail","filename":"geibunkiyo-04-130-144.pdf","filesize":[{"value":"542.5 kB"}],"format":"application/pdf","licensetype":"license_note","mimetype":"application/pdf","url":{"label":"geibunkiyo-04-130-144.pdf","url":"https://toyama.repo.nii.ac.jp/record/4753/files/geibunkiyo-04-130-144.pdf"},"version_id":"c033864a-366c-4051-916e-19f2f2cc9ade"}]},"item_keyword":{"attribute_name":"キーワード","attribute_value_mlt":[{"subitem_subject":"Music Hall","subitem_subject_scheme":"Other"},{"subitem_subject":"Modernism","subitem_subject_scheme":"Other"},{"subitem_subject":"Cinema","subitem_subject_scheme":"Other"},{"subitem_subject":"T.S. Eliot","subitem_subject_scheme":"Other"},{"subitem_subject":"Samuel Beckett","subitem_subject_scheme":"Other"},{"subitem_subject":"Myth","subitem_subject_scheme":"Other"},{"subitem_subject":"Popular Culture","subitem_subject_scheme":"Other"}]},"item_language":{"attribute_name":"言語","attribute_value_mlt":[{"subitem_language":"jpn"}]},"item_resource_type":{"attribute_name":"資源タイプ","attribute_value_mlt":[{"resourcetype":"departmental bulletin paper","resourceuri":"http://purl.org/coar/resource_type/c_6501"}]},"item_title":"ミュージック・ホール、モダニズム、映画--T・S・エリオットとサミュエル・ベケットにおける神話とポピュラー文化","item_titles":{"attribute_name":"タイトル","attribute_value_mlt":[{"subitem_title":"ミュージック・ホール、モダニズム、映画--T・S・エリオットとサミュエル・ベケットにおける神話とポピュラー文化"}]},"item_type_id":"3","owner":"3","path":["627"],"pubdate":{"attribute_name":"公開日","attribute_value":"2010-07-20"},"publish_date":"2010-07-20","publish_status":"0","recid":"4753","relation_version_is_last":true,"title":["ミュージック・ホール、モダニズム、映画--T・S・エリオットとサミュエル・ベケットにおける神話とポピュラー文化"],"weko_creator_id":"3","weko_shared_id":3},"updated":"2023-07-25T13:28:00.159650+00:00"}