{"created":"2023-07-25T09:15:32.726269+00:00","id":15429,"links":{},"metadata":{"_buckets":{"deposit":"fa6bbf31-d884-4f1d-a0e0-235557e29e02"},"_deposit":{"created_by":26,"id":"15429","owners":[26],"pid":{"revision_id":0,"type":"depid","value":"15429"},"status":"published"},"_oai":{"id":"oai:toyama.repo.nii.ac.jp:00015429","sets":["619:622:623:1604"]},"author_link":["16565"],"item_3_alternative_title_19":{"attribute_name":"その他（別言語等）のタイトル","attribute_value_mlt":[{"subitem_alternative_title":"Not ‘Anywhere But Here’ But ‘Here and Now’ - About Antony Gormley’s Another Place and Land Project-"}]},"item_3_biblio_info_7":{"attribute_name":"書誌情報","attribute_value_mlt":[{"bibliographicIssueDates":{"bibliographicIssueDate":"2017-03-31","bibliographicIssueDateType":"Issued"},"bibliographicPageEnd":"92","bibliographicPageStart":"82","bibliographicVolumeNumber":"11","bibliographic_titles":[{"bibliographic_title":"GEIBUN : 富山大学芸術文化学部紀要"},{"bibliographic_title":"Bulletin of the Faculty of Art and Design University of Toyama"}]}]},"item_3_description_15":{"attribute_name":"フォーマット","attribute_value_mlt":[{"subitem_description":"application/pdf","subitem_description_type":"Other"}]},"item_3_description_4":{"attribute_name":"抄録","attribute_value_mlt":[{"subitem_description":"　Landscape is very modern concept, because it is not already there as it itself, but it becomes to exist by the birth of subject who sees it. In fact, landscape is ‘aesthetically seen nature (or land)’ and is seen in the activity of formation of aesthetic subjectivity. We reconstruct landscape by forming it, interpreting it and framing it. In 1960’ s, landscape in art which had been ‘a representation of a framed view’ until then, changed completely, out from museums into landscape, using landscape itself as material of art and returned inside landscape as work of art. This is the beginning of the land/environmental art. Environmental art as new landscape art is getting into land and in and about the real natural environment. This means the works of environmental art are site-specific. In this paper, I will argue about two works of Antony Gormley, Another Place and Land project as good examples of site-specific landscape/environmental art, that express especially its relationship to land, landscape and environment.","subitem_description_type":"Abstract"}]},"item_3_description_40":{"attribute_name":"資源タイプ(DSpace)","attribute_value_mlt":[{"subitem_description":"Article","subitem_description_type":"Other"}]},"item_3_description_6":{"attribute_name":"引用","attribute_value_mlt":[{"subitem_description":"GEIBUN : 富山大学芸術文化学部紀要, 11号, 2017.03.31, Page 82-92","subitem_description_type":"Other"}]},"item_3_full_name_3":{"attribute_name":"著者別名","attribute_value_mlt":[{"nameIdentifiers":[{"nameIdentifier":"16565","nameIdentifierScheme":"WEKO"},{"nameIdentifier":"9000006647453","nameIdentifierScheme":"CiNii ID","nameIdentifierURI":"http://ci.nii.ac.jp/nrid/9000006647453"},{"nameIdentifier":"00300111","nameIdentifierScheme":"e-Rad","nameIdentifierURI":"https://nrid.nii.ac.jp/nrid/1000000300111"}],"names":[{"name":"Ito, Takako"}]}]},"item_3_identifier_registration":{"attribute_name":"ID登録","attribute_value_mlt":[{"subitem_identifier_reg_text":"10.15099/00017902","subitem_identifier_reg_type":"JaLC"}]},"item_3_publisher_33":{"attribute_name":"出版者","attribute_value_mlt":[{"subitem_publisher":"富山大学芸術文化学部"}]},"item_3_source_id_10":{"attribute_name":"書誌レコードID","attribute_value_mlt":[{"subitem_source_identifier":"AA12190259","subitem_source_identifier_type":"NCID"}]},"item_3_source_id_8":{"attribute_name":"ISSN","attribute_value_mlt":[{"subitem_source_identifier":"18816649","subitem_source_identifier_type":"ISSN"}]},"item_3_version_type_16":{"attribute_name":"著者版フラグ","attribute_value_mlt":[{"subitem_version_resource":"http://purl.org/coar/version/c_970fb48d4fbd8a85","subitem_version_type":"VoR"}]},"item_creator":{"attribute_name":"著者","attribute_type":"creator","attribute_value_mlt":[{"creatorNames":[{"creatorName":"伊東, 多佳子"}],"nameIdentifiers":[{},{},{}]}]},"item_files":{"attribute_name":"ファイル情報","attribute_type":"file","attribute_value_mlt":[{"accessrole":"open_date","date":[{"dateType":"Available","dateValue":"2017-11-02"}],"displaytype":"detail","filename":"geibun11_p82-92.pdf","filesize":[{"value":"748.9 kB"}],"format":"application/pdf","license_note":"Copyright(c)Faculty of Art and Design University of Toyama \n本書の全部または一部を無断で複写複製することは、著作権法上の例外を除き禁じられています。 \n 複写を希望される場合は、必ず発行者までご連絡ください。 \n\n","licensetype":"license_note","mimetype":"application/pdf","url":{"label":"geibun11_p82-92","url":"https://toyama.repo.nii.ac.jp/record/15429/files/geibun11_p82-92.pdf"},"version_id":"c25583d0-3bbb-4057-bd42-d952b50bd27f"}]},"item_keyword":{"attribute_name":"キーワード","attribute_value_mlt":[{"subitem_subject":"Environmental Aesthetics","subitem_subject_scheme":"Other"},{"subitem_subject":"Environmental Art","subitem_subject_scheme":"Other"},{"subitem_subject":"Antony Gormley","subitem_subject_scheme":"Other"},{"subitem_subject":"環境美学","subitem_subject_scheme":"Other"},{"subitem_subject":"環境芸術","subitem_subject_scheme":"Other"},{"subitem_subject":"風景","subitem_subject_scheme":"Other"}]},"item_language":{"attribute_name":"言語","attribute_value_mlt":[{"subitem_language":"jpn"}]},"item_resource_type":{"attribute_name":"資源タイプ","attribute_value_mlt":[{"resourcetype":"departmental bulletin paper","resourceuri":"http://purl.org/coar/resource_type/c_6501"}]},"item_title":"「ここではないどこか」ではない「いま、ここ」へ ― アントニー・ゴームリーの《別の場所》と《ランド》プロジェクトをめぐって―","item_titles":{"attribute_name":"タイトル","attribute_value_mlt":[{"subitem_title":"「ここではないどこか」ではない「いま、ここ」へ ― アントニー・ゴームリーの《別の場所》と《ランド》プロジェクトをめぐって―"}]},"item_type_id":"3","owner":"26","path":["1604"],"pubdate":{"attribute_name":"公開日","attribute_value":"2017-11-02"},"publish_date":"2017-11-02","publish_status":"0","recid":"15429","relation_version_is_last":true,"title":["「ここではないどこか」ではない「いま、ここ」へ ― アントニー・ゴームリーの《別の場所》と《ランド》プロジェクトをめぐって―"],"weko_creator_id":"26","weko_shared_id":26},"updated":"2023-07-25T13:34:44.018006+00:00"}