{"created":"2023-07-25T09:13:36.331482+00:00","id":13013,"links":{},"metadata":{"_buckets":{"deposit":"a3ad17ad-876d-4bcf-ae18-7024d67ef671"},"_deposit":{"created_by":3,"id":"13013","owners":[3],"pid":{"revision_id":0,"type":"depid","value":"13013"},"status":"published"},"_oai":{"id":"oai:toyama.repo.nii.ac.jp:00013013","sets":["9:12:56:1517"]},"author_link":["55635"],"item_3_biblio_info_7":{"attribute_name":"書誌情報","attribute_value_mlt":[{"bibliographicIssueDates":{"bibliographicIssueDate":"2014-12-12","bibliographicIssueDateType":"Issued"},"bibliographicPageEnd":"70","bibliographicPageStart":"59","bibliographicVolumeNumber":"7","bibliographic_titles":[{"bibliographic_title":"富大比較文学"}]}]},"item_3_description_4":{"attribute_name":"抄録","attribute_value_mlt":[{"subitem_description":"尾崎翠作品には「片恋・失恋」のモチーフが頻出し、登場人物はしばしば三人のうち、どの二人も組になってゐないトライアングル」を形成する。登場人物たちのほとんどは「儚いワガボンド」であり、影と共に歩き、影との対話を試み、そして、『地下室アントンの一夜』で彼ら自身が地下の住人となってしまう。分身文化の一つである映画に心奪われた翠は、モンタージュといった映画の技法を作品に取り入れたが、「分身」もまた視覚技法と共に持ち込まれた重要なモチーフであるといえないだろうか。本研究ではテキストに即しながら、尾崎翠作品で扱われている「分身」のテーマについて読み解き、翠にとって「分身」への恋をテーマとして扱うことはどのような意味を持ったのか、「分身」のモチーフに翠のどのような恋愛観・ジェンダー観が込められているか、考察する手がかりとしたい。","subitem_description_type":"Abstract"}]},"item_3_description_40":{"attribute_name":"資源タイプ(DSpace)","attribute_value_mlt":[{"subitem_description":"Article","subitem_description_type":"Other"}]},"item_3_description_6":{"attribute_name":"引用","attribute_value_mlt":[{"subitem_description":"富大比較文学, 第7集, 2014.12.12, page 59-70","subitem_description_type":"Other"}]},"item_3_identifier_registration":{"attribute_name":"ID登録","attribute_value_mlt":[{"subitem_identifier_reg_text":"10.15099/00015521","subitem_identifier_reg_type":"JaLC"}]},"item_3_publisher_33":{"attribute_name":"出版者","attribute_value_mlt":[{"subitem_publisher":"富山大学比較文学会"}]},"item_3_relation_29":{"attribute_name":"論文ID（NAID）","attribute_value_mlt":[{"subitem_relation_type":"isIdenticalTo","subitem_relation_type_id":{"subitem_relation_type_id_text":"40020786590","subitem_relation_type_select":"NAID"}}]},"item_3_source_id_10":{"attribute_name":"書誌レコードID","attribute_value_mlt":[{"subitem_source_identifier":"AA12454430","subitem_source_identifier_type":"NCID"}]},"item_3_subject_22":{"attribute_name":"国立国会図書館分類","attribute_value_mlt":[{"subitem_subject":"ZK21","subitem_subject_scheme":"NDLC"}]},"item_3_version_type_16":{"attribute_name":"著者版フラグ","attribute_value_mlt":[{"subitem_version_resource":"http://purl.org/coar/version/c_970fb48d4fbd8a85","subitem_version_type":"VoR"}]},"item_creator":{"attribute_name":"著者","attribute_type":"creator","attribute_value_mlt":[{"creatorNames":[{"creatorName":"青井, 詩織"}],"nameIdentifiers":[{}]}]},"item_files":{"attribute_name":"ファイル情報","attribute_type":"file","attribute_value_mlt":[{"accessrole":"open_date","date":[{"dateType":"Available","dateValue":"2016-06-23"}],"displaytype":"detail","filename":"HikakuBungaku_07_01-05_Page059to070.pdf","filesize":[{"value":"823.2 kB"}],"format":"application/pdf","licensetype":"license_note","mimetype":"application/pdf","url":{"label":"HikakuBungaku_07_01-05_Page059to070.pdf","url":"https://toyama.repo.nii.ac.jp/record/13013/files/HikakuBungaku_07_01-05_Page059to070.pdf"},"version_id":"21229a57-24c5-48ad-a102-d6044c3cdafd"}]},"item_language":{"attribute_name":"言語","attribute_value_mlt":[{"subitem_language":"jpn"}]},"item_resource_type":{"attribute_name":"資源タイプ","attribute_value_mlt":[{"resourcetype":"departmental bulletin paper","resourceuri":"http://purl.org/coar/resource_type/c_6501"}]},"item_title":"尾崎翠研究 : 女主人公の影と彷徨","item_titles":{"attribute_name":"タイトル","attribute_value_mlt":[{"subitem_title":"尾崎翠研究 : 女主人公の影と彷徨"}]},"item_type_id":"3","owner":"3","path":["1517"],"pubdate":{"attribute_name":"公開日","attribute_value":"2016-06-23"},"publish_date":"2016-06-23","publish_status":"0","recid":"13013","relation_version_is_last":true,"title":["尾崎翠研究 : 女主人公の影と彷徨"],"weko_creator_id":"3","weko_shared_id":-1},"updated":"2023-07-25T15:33:58.089235+00:00"}