@article{oai:toyama.repo.nii.ac.jp:00012625,
 author = {三宮, 千佳},
 journal = {GEIBUN : 富山大学芸術文化学部紀要, Bulletin of the Faculty of Art and Design University of Toyama},
 month = {Feb},
 note = {application/pdf, The gilt bronze Buddhist statue in Chinese Northern
Wei have been studied in the past by art history focusing
on a style study, but there is no conspicuous development
in recent years.So I considered mint methods by a
experimental casting as new development of the study.
The gilt-bronze Nyorai with inscription Year 1th of
TianJian (524) taken up as a subject of a experimental
casting is the collection in Sano art museum in Mishimashi,
Shizuoka. So a experimental casting of nimbus
of flames of the gilt-bronze Nyorai was also cast by
archetype to embellish pattern, with the guidance of
Professor MIFUNE Haruhisa in the casting room at
Faculty of Art and Design，University of Toyama, in
June (2015). The reproduction material compared with
the gilt-bronze Nyorai, and it was understood that a
casting methods of it was cast by archetype to embellish
pattern. This research is new technique as a study in
a gorge of art history and archaeology, and I’d like to
make them develop through further experimental casting
and observation from now on., Article},
 pages = {58--77},
 title = {中国魏金銅仏の鋳造技法の検討ー佐野美術館蔵天建元年銘青銅如来坐像光背火焔文の再現実験を通してー},
 volume = {10},
 year = {2016}
}