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Noda Hideki's English plays
https://doi.org/10.15099/00000262
https://doi.org/10.15099/00000262b3a2e432-c58c-4d59-a98e-e4a03bda609f
名前 / ファイル | ライセンス | アクション |
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58_01_12_zoubek.pdf (742.5 kB)
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Item type | 紀要論文 / Departmental Bulletin Paper(1) | |||||
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公開日 | 2013-02-26 | |||||
タイトル | ||||||
タイトル | Noda Hideki's English plays | |||||
言語 | ||||||
言語 | eng | |||||
キーワード | ||||||
主題Scheme | Other | |||||
主題 | Noda Hideki | |||||
キーワード | ||||||
主題Scheme | Other | |||||
主題 | English plays | |||||
キーワード | ||||||
主題Scheme | Other | |||||
主題 | Yume no Yuminsha | |||||
キーワード | ||||||
主題Scheme | Other | |||||
主題 | The Dream Wanderers | |||||
キーワード | ||||||
主題Scheme | Other | |||||
主題 | Disneyland | |||||
キーワード | ||||||
主題Scheme | Other | |||||
主題 | German romanticism | |||||
キーワード | ||||||
主題Scheme | Other | |||||
主題 | Shakespeare | |||||
資源タイプ | ||||||
資源タイプ識別子 | http://purl.org/coar/resource_type/c_6501 | |||||
資源タイプ | departmental bulletin paper | |||||
ID登録 | ||||||
ID登録 | 10.15099/00000262 | |||||
ID登録タイプ | JaLC | |||||
著者 |
Zoubek, Wolfgang
× Zoubek, Wolfgang |
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著者別名 | ||||||
姓名 | ツォウベク, ウォルフガング | |||||
抄録 | ||||||
内容記述タイプ | Abstract | |||||
内容記述 | Noda Hideki(born 1955) is a well-known Japanese theater practitioner who has been famous since the late seventies with his troupe Yume no Yuminsha [The Dream Wanderers]. He has produced many fictional plays in a modern fairytale style. In the 1980s, he became one of the leading representatives of Japanese contemporary theater. In the 1990s, he began incorporating more social commentary in his themes. Nowadays he remains as successful as ever. This paper will focus on three of Noda's plays, all of which were performed abroad in English: Red Demon, The Bee and The Diver. After a review of his early career and his rise to success, his efforts and struggles in bringing these plays to foreign audiences will be examined in detail, covering topics such as historical influences, comparisons with Japanese versions and critical reactions. The primary question under investigation is this: To what degree has Noda been successful at bringing his vision of Japanese contemporary theater to non-Japanese audiences? For readers not familiar with Noda's body of work, brief plot summaries of each play as well as explanation of background source material will be provided. | |||||
引用 | ||||||
内容記述タイプ | Other | |||||
内容記述 | 富山大学人文学部紀要, 58号, Page 253-288 | |||||
書誌情報 |
富山大学人文学部紀要 巻 58, p. 253-288, 発行日 2013-02-15 |
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ISSN | ||||||
収録物識別子タイプ | ISSN | |||||
収録物識別子 | 03865975 | |||||
書誌レコードID | ||||||
収録物識別子タイプ | NCID | |||||
収録物識別子 | AN00175930 | |||||
著者版フラグ | ||||||
出版タイプ | VoR | |||||
出版タイプResource | http://purl.org/coar/version/c_970fb48d4fbd8a85 | |||||
出版者 | ||||||
出版者 | 富山大学人文学部 | |||||
資源タイプ(DSpace) | ||||||
内容記述タイプ | Other | |||||
内容記述 | Article |