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ソフィ・カル〈盲目の人々〉論: 「距離」と「美」をめぐって
https://doi.org/10.15099/00017903
https://doi.org/10.15099/00017903d96b2c56-4cd9-42b5-8236-7d5324690f41
名前 / ファイル | ライセンス | アクション |
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geibun11_p94-109 (802.9 kB)
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Copyright(c)Faculty of Art and Design University of Toyama
本書の全部または一部を無断で複写複製することは、著作権法上の例外を除き禁じられています。 複写を希望される場合は、必ず発行者までご連絡ください。 |
Item type | 紀要論文 / Departmental Bulletin Paper(1) | |||||
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公開日 | 2017-11-02 | |||||
タイトル | ||||||
タイトル | ソフィ・カル〈盲目の人々〉論: 「距離」と「美」をめぐって | |||||
言語 | ||||||
言語 | jpn | |||||
キーワード | ||||||
主題Scheme | Other | |||||
主題 | History of Western Art | |||||
キーワード | ||||||
主題Scheme | Other | |||||
主題 | Contemporary Art | |||||
キーワード | ||||||
主題Scheme | Other | |||||
主題 | photography | |||||
キーワード | ||||||
主題Scheme | Other | |||||
主題 | text | |||||
キーワード | ||||||
主題Scheme | Other | |||||
主題 | 西洋美術史 | |||||
キーワード | ||||||
主題Scheme | Other | |||||
主題 | 現代美術 | |||||
キーワード | ||||||
主題Scheme | Other | |||||
主題 | 写真 | |||||
キーワード | ||||||
主題Scheme | Other | |||||
主題 | テクスト | |||||
資源タイプ | ||||||
資源タイプ識別子 | http://purl.org/coar/resource_type/c_6501 | |||||
資源タイプ | departmental bulletin paper | |||||
ID登録 | ||||||
ID登録 | 10.15099/00017903 | |||||
ID登録タイプ | JaLC | |||||
著者 |
松田, 愛
× 松田, 愛 |
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著者別名 | ||||||
姓名 | Matsuda, Ai | |||||
その他(別言語等)のタイトル | ||||||
その他のタイトル | Consideration on The Blind by Sophie Calle: Concerning “distance” and “beauty” | |||||
抄録 | ||||||
内容記述タイプ | Abstract | |||||
内容記述 | This paper aims to define the significance of The Blind (1986), a work by the French contemporary artist, Sophie Calle (1953–). Calle creates the original world of her work by interweaving the real and fictional, mainly by using photographs and texts that often originate from her own and others’ lives. In The Blind, she asked 23 blind people about their image of beauty. The resulting work comprises multipart flamed objects-their portrait photographs, texts of their answers to her question and from one to three photographs of various images visualized from their words. Those images are the sea, picture, their room, their families and their important memories, etc. But why did she ask blind people about their images of beauty? What does beauty indicate for Calle? While following her previous method of juxtaposing photographs and text, Calle also directly adopted others’ words and used photographs that others took as well as existing images. Therefore, the “distance” between words and images, Calle and the blind people, and the self and others emerge from The Blind. However, when beholders experience this work as an installation with space, they also find the possibility of dialogue with others in the gradual movement of distance and intimacy. The “beauty” disclosed in this work is that which is associated with our pleasure and happiness; for example, freedom, harmony, their relationships with important people and those memories. The Blind is an outstanding work, born from where Calle’s firm faith in her own and others’ lives has come to fruition with her intellectual and sophisticated attitude toward execution. |
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引用 | ||||||
内容記述タイプ | Other | |||||
内容記述 | GEIBUN : 富山大学芸術文化学部紀要, 11号, 2017.03.31, Page 94-109 | |||||
書誌情報 |
GEIBUN : 富山大学芸術文化学部紀要 en : Bulletin of the Faculty of Art and Design University of Toyama 巻 11, p. 94-109, 発行日 2017-03-31 |
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ISSN | ||||||
収録物識別子タイプ | ISSN | |||||
収録物識別子 | 18816649 | |||||
書誌レコードID | ||||||
収録物識別子タイプ | NCID | |||||
収録物識別子 | AA12190259 | |||||
フォーマット | ||||||
内容記述タイプ | Other | |||||
内容記述 | application/pdf | |||||
著者版フラグ | ||||||
出版タイプ | VoR | |||||
出版タイプResource | http://purl.org/coar/version/c_970fb48d4fbd8a85 | |||||
出版者 | ||||||
出版者 | 富山大学芸術文化学部 | |||||
資源タイプ(DSpace) | ||||||
内容記述タイプ | Other | |||||
内容記述 | Article |